Nomadic traveling, a kind of guide to a kind of magic

  1. How to get lost.

For most of this year, I’ve remained relatively still. I’ve been moving mostly from one place to another for practical reasons and staying for months in one place. For lengths of time I’ve stayed in more permanent structures than my house, like the family cabin, or various indoors during repair work. During this time, I’ve thought a lot about what differs the way I travel for the road, and when I travel to a specific place to do something there.

So I thought I would write a series of posts with thoughts and exercises for those who wish to know more about nomadic travel and perhaps broaden your world a bit. None of these require in themselves a lot of moving about. You will need to leave your house, but you don’t have to go very far. 

 Fist, I’ll need to get into what makes nomadic travel different. This not something I’ve seen written about other than as an anthropological curiosity, and always from the observers perspective. So it’s taken some time to find words in this unchartered territory.

In some of my previous posts, I’ve touched in on the subject, but as a framework, without having the words to explain outright what it is. It’s a practice rooted in a culture or oral tradition after all, and greatly vilified or ignored in written culture, so I’ve always thought of it as a practice beyond words. And of course, I’m writing about the philosophy of nomadic travel, a thought, and idea, but the practice is old and varied, and more or less successful or more or less present in the mind of the individual traveler. Let’s give it a try anyway.

The simplest way of describing nomadic travel is that it’s a dance with the land. It’s a way of connecting with the place you stay in or travel through and a way of connecting the places you travel with each other.

It’s still a common belief that the nomadic lifestyle is a form of escapism, of running away from responsibility, that it’s all about freedom or in some way childish. But the only responsibility anyone ever really has, is to the land that feeds them, not country, but land. The soil and water, plants and animals and spirit. And there are other ways to connect with land than to grow stuff on it. This is what I’ll be exploring in this series of posts.

Nomadic travel isn’t about moving away from land, it’s about moving with it. Rather than making a connection with land by staying in one place and imposing our will on it, making some things grow while killing off others, changing rivers, planting forests or burning them down, it’s a conversation and a dance.

There are, of course, several nomadic tribes, on all continents, with their unique way of moving. Some live with a herd of animals, and move with them, following the seasons and going where the food and water for the animals are, rather than forcing the food to grow and water to flow to them. Some are seasonal workers on farms or take their chances in cities. Some are confined to reservations. Most nomadic people won’t move terribly far away or cross the globe, it’s the consistency, not the length of the journey that matters.

And while some may have more ‘restless blood’ than others, and some may feel the call of the wild or the road stronger, it’s not like you can say that this is a specific genetic or even cultural thing. The very idea we have of culture, is a colonialist one. It’s one where culture is reduced to a handful of gods and a fancy dress. The real culture, the cosmology and connections to greater things than humans or the self, are in any case greatly damaged or destroyed. These posts are also a way of reviving that, not in a specific group of humans, but in the world.

So let’s say you want to do this thing. That you want to dance, connect with the road. Where do you start? I’m going to write a few posts with exercises on how to change your perspective, even if just a little. And then on how to dance. 

The first thing to do if you want to travel is to get lost. It doesn’t matter where, it can be in a city, or a forest or a suburb. Even with travel restrictions, it’s still quite possible to get lost. Turn off you phone or leave it behind, go somewhere you haven’t been. Take the bus, or take that Other path that leads the Wrong Way from where you usually walk. Don’t bring anything and don’t have a goal. Make peace with the chance that you’ll never return home. Most likely you will, but it’s a good thing to let your mind get comfortable with. You can ride your bike or horse or wheelchair or whatever, but the closer you are to the ground, and the slower you move, the better.

Now some people are cursed with a perfect sense of direction, but most people are about ten steps and two corners away from being lost at all times. You just pick a road you haven’t walked, and then follow it. To make it easier, take as many twists and turns as possible, or if you’re in the woods, get away from the beaten path as soon as possible. If it’s dark, try not to use any light, there’s usually enough light pollution and moonlight to see where you’re going. A lot of people may say that this is dangerous, and it certainly is. Not as much as most people think, but a bit. Life is danger, only death is completely safe.

You don’t have to walk very far though, just to the point where you can with confidence look around you and say to yourself that you have no idea where you are. Now, look around you again, because when lost, your eyes become sharper. Try to notice things, sounds of water or traffic, familiar houses or trees, and you’re already looking at the world with wider eyes than before you started.  

Now you stay here a bit, being lost. Don’t try to find your way back at once, you’re not doing this as a tracking exercise. The things is, you’re not lost, you’re never lost. You just need to find some basic things. Like food, water and shelter. That’s all. These things may be in a specific place, but as you look around, they are other places as well. (If you plan to get lost in the woods, by the way, it’s helpful to have at least some basic knowledge of edible plants and to not start doing this at winter). 

When you’re comfortable with being lost, make your way back. Do not rush, and pay attention to everything, insects, plants growing out of the asphalt, birds flying over head, the call of a crow, the wind. These are the things that you will gradually start following. If you haven’t walked too far, you’re probably going to find your way back pretty soon. If you should get more and more lost, don’t panic, stop walking. Wait. Somewhere there will be something you recognize, a hill in the distance, or a light. You will find someone and they will help. The trick is to not be too vigorous and try to cover too much distance. You only need to get a little bit lost, not set off a rescue mission.

It is perfectly acceptable to ask strangers for help at this point if you should find your self more lost as you go. This is probably something you’ll have to do a lot in your travels. You will need a hand now and then, and might as well get used to asking for help if you’re not used to it before. Politeness and a slight bewilderment goes a long way. Also, if you’re not currently using your gut feeling about who to talk to and who to avoid, it’s best to start listening to that as well. I have knocked on a few doors in my time and disturbed a few dinners in order to ask random strangers if they could please tell me where I am.

The point of this exercise is in any case not to become a great outdoors person or streetwise, but first of all to get used to seeing the world as a place of possibilities. To focus on what you actually need in it, and to see that these things are not linked to one place. This will come gradually and will already be familiar to people who travel in a conventional way in their work. 

The second part is to start to notice your surroundings and in time, to let them guide you rather than to plow your way to a goal. This, I’ll be writing more about next time.

All hail the great Rot

This. Is God.

As I spent some months away from my house this summer, to fix the cabin, there was a bit of repair work to do when I got back.

I say ‘a bit’ here in the most British sense of the word, as there had been a leak in part of the roof and unusually warm and wet weather where it stood, leading to extensive water damage.

A major difference between living in a house I build myself, rather than a house belonging to someone else, or a bank, is that I’m always faced with the choice of whether to keep rebuilding or not.

On the plus side, I can make the changes I want, when and how I want. I don’t need to wait around for someone else to do things, and it costs a fraction of what a similar repair would be on a typical house.

On the heavier side, I do need to keep making that decision. The question is always there, not only if I should give up, but if it’s worth taking other matter, trees, water, space to keep making this. Does it really need to keep existing?

I find myself more and more adverse to buying materials, it has become frightfully apparent in this process that these materials are corpses of trees, and often healthy habitats have been destroyed to make way for plantations of fast growing woodland. And I don’t think I can convince myself that my house is worth sacrificing all these lives for.

Everything feeds off something else, not only is it inevitable, it’s the only way of keeping life going, the only way of reintroducing matter. If life is to even exist, things need to consume other things and by that not only keep alive themselves, but make sure matter is being brought back properly.

But a dream is not actually needed to live, no matter what popular stories will tell you. And a house is always a dream of some sort. And dreams tend to loose their connection to reality. Not in the sense of whether or not what you want is possible, but in the sense of making that constant choice and the realization that every little bit of reality you take, you take from something else. And sooner or later, all dreams will become monsters if you don’t stop. Sooner or later, everything you have borrowed, will be taken back by the spiral. At some point, your dream, your visions, your life, will take more than it can ever return. And then it’s a monster.

My solution so far is to make use of repurposed materials as much as possible, or use trees that have fallen in storms or been cut down and left. Even then, I’m interfering in some way, keeping a part of the great spiral locked in a form. That choice, I have to keep making and keep considering and hope I’m connected enough to give up before it becomes a travesty.

Eventually, of course, I will also die, and hopefully be quickly taken up in the spiral, and as this summer has showed, it won’t take very long for my house to be reclaimed by nature either, for the most part.

These last few years has also changed how I look at beauty. Where I used to consider things like proportions and integrity, I now also consider the beauty of a thing or creature as linked to the balance of integrity and how easily it will be for nature to reclaim.

In this light, the great Rot in the picture, is the most beautiful creature I have met this summer. It’s origin is a large tree that has fallen in the woods and been let long enough for life to sprout around it, birds to nest it it’s branches, fungi to form neural links to water and other plants and life forms, green vines to bloom at its heart. It lives now in a between state of life and non-life, of decay and growth, of returning and preserving and it can evoke awe in anyone who looks upon it in the forest. This in other words, is now a god.

Vitae vagus est, or, the way of the trickster

hare i flykt
A leaping hare drawn by dead branches. Motion can be in the apparent still also

Life is, indeed, unpredictable. But another meaning of ‘vagus’ is to wander, or be in motion, without a particular goal in mind. Moving of the sake of movement.

Over the past months, a vast number of people have been moving differently than expected. It may be because of travel restrictions, or quarantine, or due to illness. People have been bed ridden and house bound and during this time, how we move has been brought to attention either explicit or implicit.

When you are in motion, you create a pattern. This is obvious in dance, but it’s also true for the motions of daily life.

When you move in the same manner, around the same objects, the pattern is deepened, fixated. Eventually it will become part of your mind and of your body, in the form of muscles and nerves.

Monty Python's Flying Circus
Sometimes silly walks are not silly at all

To fixate and carve out a pattern can be a good thing, a strengthening thing, or it can dig you down in a hole. Repeating a pattern of something you want to enforce, a habit, a spell, a wood carving, can create something beautiful. But at some point, you have to stop repeating the pattern, or it will become a trap, and destroy what you set out to create.

For all our activity, most in western society live very monotonous lives. Motions are carried out in the same manner, in the same patterns, in the same frame of mind, even when you attempt to be ‘mindful’. For it is not the mind that moves the body, but the body that moves the mind.

To move is to change. We have been brought up to consider only the power of the mind, and that changes are made by making your mind up. But I will argue that without a change in how we move, no change is really made.

Moving in a new environment, even a new apartment, creates a from of change. This can be exhausting, and it is wonder most people feel a relief when they come home to their familiar surroundings, where they can make their coffee and bathe without giving a second thought to the physical part of preforming these tasks, because everything you need is placed where you know it will be and your body will remember how to move in these rooms. This is comfortable, for many even needed in order to rest and recharge.

But to stay in such an environment, where everything is familiar and nothing challenges your sense of motion, will also make you deteriorate over time.

While the way of the Trickster is often associated with humor, or practical jokes, at the heart of is is motion and the unpredictable. While the unpredictable certainly can make people laugh, in surprise or relief, it might as well disturb, shock, or make people feel strange.

The way of the Trickster is to be in the constant between- state, to look in all directions and choose none yet always keep moving. It is the living paradox.

And it is in the unpredictable that we find the deepest truths. And by doing something unpredictable, you might find out a lot more about yourself than any amount of pondering or meditation will show you.

It doesn’t take much

It’s just a jump to the left…